Why do we love
to be scared?

I study horror, recreational fear, and the stories that captivate us — from haunted houses to Stephen King.

Mathias Clasen holding The Art of Horror in front of shelves of horror books
Associate Professor of Literature and Media, Aarhus UniversityCo-director, Recreational Fear LabPhoto: Jacob Papsø for Atlas Obscura

Recently

New writing ·

Why Horror Belongs in the Classroom

Read the post

New publication ·

Carving Stories at Their Natural Joints

Read the paper

About

Exploring the appeal
of the frightening

My work brings literary scholarship together with cognitive and evolutionary psychology and the empirical study of fear. I’m interested in why people seek out frightening entertainment, how scary stories work, and what they reveal about the human mind.

I’ve authored and co-authored more than 60 peer-reviewed publications on horror, recreational fear, and the psychology of fiction.

I’m the author of Why Horror Seduces and A Very Nervous Person’s Guide to Horror Movies, both published by Oxford University Press, as well as Danish books on horror and monsters. I have also edited and co-edited collections on horror fiction, film, and imaginative culture. I co-edit the book series Cognitive Studies in Literature and Performance and serve on the editorial board of the Horror Studies book series at the University of Wales Press.

I also contribute essays to Lividian Publications’ limited editions of Joe Hill’s books and to its Robert McCammon Library.

Current workI’m currently writing about Stephen King’s enduring appeal, supported by a generous grant from the Carlsberg Foundation.

Research

Fear, fiction &
the human mind

Recreational Fear Lab researchers in white lab coats at Dystopia Haunted House
Recreational Fear Lab at Dystopia Haunted House.© Tina Liv

From stories to real-world scares.

At the Recreational Fear Lab, which I co-direct with Marc Malmdorf Andersen at Aarhus University, we combine fieldwork, physiological measurements, and psychological research to investigate what happens when people choose to be afraid. Collaborative projects include studies led by Marc on a sweet spot of fear and by Coltan Scrivner on horror fandom and psychological resilience during COVID-19.

My wider research connects literary scholarship with cognitive and evolutionary psychology to explore how stories engage the mind—from classic vampire fiction to Stephen King. Some studies also draw on digital humanities tools. I have long sought to develop a biocultural theory of horror, connecting evolved fears with cultural expression. This includes research with Jens Kjeldgaard-Christiansen and John A. Johnson on how horror might let us rehearse danger in the imagination.

Selected publications (24)

Books

Understanding our taste
for terror

Other books

Media & contact

Let’s talk about fear

Talks.

I give talks on horror, recreational fear, and the power of stories—for academic and public audiences.

Keynotes · public lectures · panel conversations · English & Danish

Selected recent talks & conversations

Odense Film Festival

2026

The Science of Horror

Festival talk

Simons Foundation, New York

2025

Monsters, Memories and the Stories We Keep

Panel conversation

École Normale Supérieure

2025

Horror, Fiction, and Fear

Invited lecture

HUSSE Conference

2025

The New Science of Recreational Fear

Plenary talk

Norwegian University of Science and Technology

2024

Why Horror Is Good For You

Invited lecture

For speaking invitations: mc@cc.au.dk

Topics I can discuss

Why we enjoy horror

The appeal of horror films, frightening stories, and haunted attractions; why people differ in their appetite for fear; and the balance between fear and enjoyment.

Stephen King & the art of storytelling

King’s enduring popularity, his characters and style, and the psychological mechanisms that make his fiction so absorbing.

Fear, horror & well-being

How frightening entertainment relates to emotion regulation, resilience, and well-being; its potential benefits for adults and children; and what the evidence can tell us about its limits.

Monsters, minds & culture

Why monsters and supernatural stories fascinate us, how horror draws on our psychology, and how the genre changes across cultural and historical contexts.